Problem

Following the successful launch of the SNG plant in Duisburg, Germany, Greenlyte looked for a meaningful way to commemorate the milestone and spotlight the work behind the facility and their Liquid Solar technology. They approached us looking for a creative concept that could be gifted to partners and supporters as a tangible reminder of the achievement.
 

Solution

Working with the Greenlyte team, we developed the idea of transforming their project documentation into 20 limited-edition digital art prints. We shaped a visual direction that captured both the plant’s industrial character and the uniqueness of their technology, turning each one into considered, collectible pieces that offered a subtle tribute to the milestone

Problem
For 2025, Stage Two decided to continue using the visual identity we created for 2024. Its intentional ambiguity, however, led to different interpretations. Instead of replacing it, our challenge was to clarify the idea behind that ambiguity, which was rooted in exploring uncharted territories, while keeping the event visually fresh, engaging, and evolving.

Solution
We explored a new spatial expression of the Stage Two identity by bringing functional art onto the stage. Together with Berlin-based studio Balzer Balzer, we created bespoke seating that blended industrial structures with sculptural foam and reflected Stage Two’s colours and energy. The collaboration built on Balzer Balzer’s industrial aesthetic, first seen in their Wire Drum Chair for Kyiv’s club K41, and resulted in a dynamic, immersive stage environment that felt aligned with the evolving Stage Two narrative.

Problem
Air Carrier, a collaborative passion project built around a deadstock-material bag collection, started with a clear challenge: creating packaging that not only protected the pieces but also reflected the brand’s fashion-forward sensibility. The goal was simple: something functional and visually appealing.

Solution
With a focus on sustainability, we developed several packaging concepts that balanced aesthetics with utility. We explored structures, materials, and finishes that remained true to its low-waste philosophy, ultimately settling on the one that best communicated the collaboration’s design values.

Problem 

After supporting Greenlyte with the initial 3D renderings for their Synthetic Natural Gas (SNG) plant in Duisburg, Germany, the team approached us to help translate those concepts into a tangible visual identity for their launch day. Our brief was to define the branding style for their exterior containers and accompanying tower. The challenge was to craft a look that felt clean, intentional, and visually striking without compromising the industrial integrity of the plant.

Solution

In close collaboration with the Greenlyte team, we explored several design directions across materials, finishes, and placement of visual elements. We ultimately decided on an industrial aesthetic that reflected the authentic character of the structural containers. Working iteratively, we refined the exterior designs to incorporate the correct logo information and identified the most suitable materials for installation. The process required careful balance and ongoing refinement, and we remained aligned throughout to deliver the strongest possible design for launch day, even adjusting elements on site such as the positioning of bolts and screws.

Problem

As part of our ongoing work with Greenlyte, the carbon-technology startup, we were asked to transform a 2D image of their current process into a clearer 3D rendering that accurately reflected the current specifications. The challenge lay in depicting the workflow precisely while still withholding enough detail to prevent competitors from replicating the process.

Solution

We created an entirely new illustration and proposed several stylistic directions. Upon selecting their preferred approach, we collaborated closely with Greenlyte’s technical team to refine the details. The final result was a set of four animations in the chosen illustrative style, ready for seamless website integration.

Problem

Greenlyte Carbon Technologies GmbH, a startup developing clean-energy and environmental technologies that reduce carbon footprints and improve resource efficiency, launched a new website and requested accompanying visuals. Their goal was to present a high-resolution rendering of their Synthetic Natural Gas (SNG) plant in Duisburg, Germany. While their engineers excelled in the technical design, they required creative support to bring these renderings to life. 

Solution

Using the existing 3D data, we assembled and refined the model, applying realistic textures, natural surroundings, and architectural context. Through an iterative process, we developed a high-spec visualisation of what the completed facility could look like. The project concluded with a set of five high-resolution images showcasing the future plant in realistic detail. 

Problem 

Showcasing design furniture can be challenging. Traditional photoshoots are expensive, time-consuming, and inflexible. For HAY’s Palissade Collection, Design Bestseller and C/O were looking for a way to present products in an emotional, narrative-driven way – modern, inspiring, and closely aligned with customer needs.

Solution

The solution combined original 3D data, AI rendering, and hands-on creative direction. Together with Berlin-based studio Plurity, they produced over 50,000 visuals that merge product, mood, and context into a completely new visual language. Each image tells its own story, with editorial flair, atmosphere, and brand character. The AI doesn’t just provide data – it delivers results: ready-to-use brand assets, flexible, scalable, and efficiently produced, while keeping full creative control in the hands of the brand.

The project demonstrates how AI and design can come together to rethink brand storytelling – emotional, innovative, and forward-looking.

Problem

WAREHOUSE is an interactive installation by The Internet Shop. It consists of twenty identical boxes printed with the collective's logo. The design references the visual language of industrial warehousing while simultaneously recalling the serial aesthetics of Andy Warhol’s Brillo Boxes. The boxes are arranged in a pyramid structure. Inside are products from the archive of The Internet Shop. These are conceived as art giveaways. Exhibition visitors are invited to look inside and take the products, performing the role of warehouse workers.

Solution

The installation is designed to change over the course of its presentation, as audience participation alters both its form and contents. This gradual transformation is an intentional element of the work, addressing questions of circulation, value, and the transience of material culture.

Problem

For Volume 2025, Antikythera launched its journal in collaboration with MIT Press. For Recursive Worlds, led by astrobiologist and theoretical physicist Professor Sara Imari Walker, the team needed a clear visual identity to bring her research to life. The project included art direction for her research presentations, the Antikythera landing page, and keynote materials, all aimed at making complex ideas accessible to a wider audience. Neo-Metabolism, the agency recruited for the project, invited C/O to join as a collaboration partner.

Solution

As part of the team, C/O provided support in project coordination and consultation. This helped maintain alignment between Neo-Metabolism, Walker, and the Antikythera team, ensuring the landing page, keynote materials, and other outputs were consistent and cohesive. The result is a recognisable visual identity that brings Walker’s research to life while highlighting the collaborative effort behind the project.

Problem

A professional photo and video production company, formerly operating under the personal name of Conor Crowe, was transitioning from a freelance practice into a more formal company structure. To support this shift, they needed a new name and brand identity that would signal growth, professionalism, and continuity - without alienating their existing client base. As part of the C/O company universe, the new identity also needed to reflect a visual and conceptual connection to the wider network.

Solution 

C/O developed a new name and corporate design that established Vormat as a company while keeping a visual connection to its origins through alignment with the C/O Lauscher identity. The rebrand aimed to communicate professionalism without losing the creative character of the original practice, supporting client retention and helping the company reach new audiences.

Problem

Nine United Group - a privately held family of companies including Flinders, Connox, Ambiente Direct, and Design Bestseller - sought a unified strategy to promote the HAY brand. The challenge was to create a cohesive campaign across four distinct retail platforms that would drive organic traffic while communicating exclusively in HAY’s voice.
 

Solution

We assembled a creative team to develop concepts that would bring the product to the people and the people to the product, through in-person activations tailored to the online retail space. One of the selected ideas was HAY Walkies, a curated, stylish event series connecting dog lovers, design enthusiasts, and local influencers in major European cities. The events create shared, authentic experiences amplified by HAY’s iconic products. The Berlin event was a success, with upcoming editions planned in Cologne, Amsterdam and Munich.

Problem

A student organization from Zuyd University approached us with the idea of introducing students to real-world creative work environments. They were looking for a way to spark discussion around collaboration, co-working, and the skills needed to thrive in the creative industry.

Solution

We hosted a half-day seminar at the C/O workspace with a small group of students. The session included a presentation on our approach to problem-solving through design, followed by an open discussion on the diverse skill sets required in creative fields. The seminar offered students practical insight into industry workflows and highlighted the value of interdisciplinary collaboration within design environments.

Problem

Retail In Motion needed graphic design support for their inflight magazines. The challenge lay in managing detailed, fast-turnaround requests from various stakeholders while maintaining a high standard of visual quality and consistency.

Solution

We set up a dedicated design team that worked closely with the client, ensuring direct communication and flexibility. The team was equipped to handle complex, detail-oriented requests and able to respond within short timelines. This setup allowed the client to meet their airline partners’ expectations reliably and efficiently, while maintaining a cohesive design standard across diverse content needs.

Problem

Creutz & Partners is an asset management firm with a strong focus on the creative industries. In 2025, they approached C/O with the brief to develop a second edition of their Art Car project, first launched in 2018. The aim was to bring their brand into the physical world - beyond digital platforms - by transforming their fleet of cars into moving canvases that could carry the company’s identity into public space.

Solution

Working in collaboration with artist Peter Schings, C/O developed a new series of foil designs that took inspiration from the visual language of the 2018 edition while introducing contemporary techniques and themes. Using AI as a creative tool, the new designs responded to the brand’s claim “In the jungle,” exploring the interplay between nature, technology, and abstraction. The process highlighted the creative potential of combining human vision with generative methods.

The result is a distinctive, evolving series of art cars that connect past and present - bringing Creutz & Partners’ identity into real-world spaces while reinforcing their commitment to creativity, innovation, and the arts.

Problem 

Evermynd, formerly known as Savoir Consulting is a performance marketing company based in Aachen, Germany. The founders approached C/O with the brief to help them refresh their brand identity. As a young company focused on building long-term partnerships, they were seeking a brand that better reflected their values and aspirations. Together, we set out to shape a narrative and visual identity that would support this goal.

Solution

C/O collaborated closely with the founders, beginning with a workshop to explore their position in the market and define a shared vision for the brand. From this foundation, we developed a new name, articulated a manifesto to guide the team, and translated the narrative into a visual identity. The resulting brand supports Evermynd in communicating clearly and confidently with both existing and future clients, expressing who they are and where they are headed.

Problem

Arque Systems is a quantum computing company based in Aachen, Germany. As part of their public-facing efforts, the team approached C/O with a brief to design custom display cases that would present their prototypes in a way that reflects both the complexity of their technology and the clarity of their brand identity. The goal was to create modular transportable solutions that could support future use in different contexts. 

Solution

We designed two modular, transportable display cases featuring glass tops and a minimalistic metal frame. The design prioritised both functionality and aesthetics, with one display taller than the other to create visual interest. LED lighting was added to the smaller case to spotlight the Qubit chip, while the white flat surface inside ensured a neutral backdrop to highlight the showcased items. 

The inclusion of custom 3D cubes brought a modern, interactive element, enhancing the connection to the quantum computing world. Additionally, QR codes were integrated to create an engaging and informative experience for viewers. 

The project provided Arque Systems with versatile, professional displays that reinforced their brand identity and showcased their technology in a visually impactful way. 

Problem

The team behind the ErUM-Data-Hub at RWTH Aachen was getting ready to launch their first podcast episodes and reached out for support. They were looking for input on how to shape the format and set up production - along with some help on the technical and visual side to get things off the ground.

Solution

C/O worked closely with the team to support the setup of the recording environment, offering suggestions for how and where episodes could be recorded. We handled the postproduction for the first episodes and contributed graphic design support to establish a consistent visual identity for the launch.

Problem

Vysor is a company operating at the intersection of education and technology. Its platform transforms learning and knowledge management into a strategic advantage by centralising company knowledge, personalising development, fostering collaboration, streamlining onboarding, and accelerating employee impact. As the company evolved, Vysor required a website that could clearly reflect its new corporate design while effectively communicating its positioning and key benefits to its target audience. 

Solution

C/O collaborated with the Vysor team to design a cohesive digital experience that aligned with their updated brand identity. Focusing on clarity and usability, we developed the website’s structure and interface to support intuitive navigation and highlight the platform’s core strengths. The result is a user-centred website that reinforces Vysor’s value proposition and supports engagement with current and prospective users alike.

Problem

Inter Trends GmbH is an agency specialising in the design, development, and production of creative promotional items. In collaboration with their client JPS (John Player Special), a brand in the consumer goods sector, they approached C/O to support the production management and fulfilment of a branded promotional piece. The brief was clear: oversee the delivery of a premium item that would celebrate and elevate the JPS Goldene Schallplatten (Golden Records).

Solution

Working alongside Inter Trends, C/O managed the production process from end to end. The outcome was a set of golden records presented in picture frames, each tailored with client branding. Our role ensured smooth coordination and quality control throughout, enabling timely delivery of a distinctive promotional item that matched the expectations of both the agency and the end client.

Problem 
 

acbushofmemes, a long-established Instagram account known for its blend of humour, cultural commentary, and journalistic content about Aachen, Germany, has grown into a central part of the city’s cultural identity.  As part of a new campaign, acbushofmemes sought to expand their presence beyond the digital realm by launching a clothing and accessories collection that would bring their content into the physical world and onto the streets of Aachen.

 

Solution

In collaboration with C/O, acbushofmemes launched a collection that embodied Aachen's unique identity. The line includes embroidered T-shirts, Streuselbrötchen pins, and even an acbushofmemes version of the iconic Uni-clinik carpet. These items offer the people of Aachen—and its surrounding regions—a way to carry pieces of their city’s character with them.

Problem 

Zahnarzt Heinen, a dental practice based in Aachen, Germany, sought to rebrand their identity following a redesign of their facilities and a generational handover within the practice. Their goal was to honour their long-standing reputation as a trusted provider for health-conscious patients in Aachen while introducing a refreshed and modernised image.

Solution

C/O partnered with Hamburg-based Creative Director Finn Bohn to define a clear narrative and visual identity for Zahnarzt Heinen. Through workshops, the team explored the essence of the brand and how the practice wanted to be perceived. This process led to the development of a refined brand strategy and narrative. Using these insights, C/O collaborated closely with the client to craft a visual identity that authentically represented their story and aligned seamlessly with the newly defined narrative.

Problem 

MBD, the research group Methods for Model-based Development in Computational Engineering at RWTH Aachen University, sought a clear and distinct way to visualise the various methods they employ in computational engineering. Given the complexity and innovation of their research, they turned to C/O to assemble the right team to tackle this challenge collaboratively.

Solution

C/O partnered with Leipzig-based 3D designer TimJ to develop an innovative approach to visualising MBD's research methods. The solution features an abstracted representation of the data generated by each method, displayed across distinct platforms. These platforms are interconnected and converge at a central globe representing Model-based X—the focal point where all methods come together to form a cohesive system.

Problem 

The IT Center at RWTH Aachen University required a distinct visual identity for the casing of its latest supercomputer, CLAIX-2023. This high-performance computing system supports cutting-edge simulations in AI and machine learning, demanding an aesthetic that reflects both its advanced capabilities and the value it brings to scientific research.

Solution

C/O collaborated with Berlin-based 3D artist Artur Krutov to craft a bespoke casing concept for CLAIX-2023. Krutov’s work combines digitally simulated metallic structures and coloured metal forms to echo atomic particles and simulate pathways, symbolising both precision and complexity. The artwork reflects CLAIX-2023’s role in advanced simulations, with an aesthetic that bridges organic elements and futuristic technology, inviting viewers to delve into its intricate, evolving forms.

“This project represents a step into new, uncharted territories, a synthesis of order from chaos. Within the turbulence, there’s a hidden beauty, a deeper order waiting to be discovered.” — Artur Krutov

Problem

ZWILLING, a heritage brand known for its quality kitchenware, sought to elevate its product presentation and appear to a more design-savvy audience. Tradtional product photography fell short in showcasing the innovation and detail of their premium ENFINIGY and FRESH & SAVE lines. 

Solution

C/O partnered with Berlin-based 3D-artists bus.group to develop immersive 3D product presentations. Replacing status images, these interactive visuals offer dynamic exploration fo product features and functionality, reflecing ZWILLING's commitement to design and innovation. The 3D presentations bridge the gap between physical and digital, providing an engaging product experience that resonates with a modern consumer.

Problem

The annual Stage Two event in Berlin gathers experts, startups, and investors to share ideas, build connections, and explore solutions for modern business challenges. Each year, the event needs a fresh design concept to captivate attendees, maintain high engagement, attract new sponsors, and leave a lasting impression on all participants.

Solution

This year, we focused on a design concept centred around Nature and Technology. The approach combined natural forms with modern technical elements to create a visually engaging and functional aesthetic. Collaborating with designer Marco Iannicelli, known for his ability to merge organic motifs with durable materials, we created a unique visual identity. The design transported participants into a magical forest, blending natural beauty with technological precision, setting the stage for a memorable event experience.

Problem

Greenlyte develops solutions in the field of clean energy and environmental management, offering technologies to reduce the carbon footprint and optimize resources.The main problem of the company was the lack of a fully developed brand, which made it difficult to distinguish it in the market, attract customers, segment the target audience and effectively interact with investors.The absence of a bright and original visual style that will contribute to the recognition and promotion of the company.

Solution

To address the issue of creating a personal brand and unique style, we focused on identifying the company's core values and unique traits. We developed a strategy to integrate these elements into a cohesive and memorable brand image, including a new color scheme to enhance recognition and distinguish the brand from competitors. The updated color concept has made the company's key features clearer and more appealing to consumers. Additionally, we introduced visual design elements that strengthen the emotional connection with customers and help the company stand out from competitors. These changes have made the brand more cohesive and easily recognizable.

Over the course of 2023-2025 C/O will receive funding for the MID Innovation and Digital Assistence program. 

ENG This project was funded by the Mittelstand Innovativ & Digital (MID) funding program of the state of North Rhine-Westphalia.

DE Dieses Vorhaben wurde aus Mitteln des Förderprogramms Mittelstand Innovativ & Digital (MID) des Landes NRW gefördert.

Problem 

Prof. Michael Pichler from the FH Aachen - University of Applied Sciences wished to host an editorial and publishing workshop for a group of students to take part in at the institute.

Solution

C/O connected the Prof. Pichler with independent publisher Uwe Bermeitinger from kiosk.international, based in Berlin. Over a week period Uwe hosted the workshop and collaborated with the students, guiding them in creating zines based on their individual styles and chosen topics. 

Problem

In its third year, Stage Two, a pan-european start-up competition, once again needed to revamp its visual brand identity, aligning it with the overarching brand vision established in previous years. C/O was responsible for this task.

Solution

The Stage Two 2023 identity presented a fresh perspective, yet another vision of the future, with the key visuals shifting from cloudy landscapes to the watery depths of the sea for 2023. Alongside the identity development, we designed and produced animations, an interactive website, crafted awards, designed and produced of the event's stage and invited the artist and industrial designer Arnaud Pfeffer to create artwork on site. The identity was integrated into both the online and offline branding. 

Problem

Year two of Stage Two, a pan-european start-up competition had to follow up the second year of their event with a reimagining of their visual brand identity while still being inkeeping with the overall brand vision that was established the year before. 

Solution

Through a collective endeavour, the Stage Two 2022 identity was a branch from the established brand that was created the year prior. The claim and mission remained but the visual identity was updated to showcase another vision of the future, with the key visuals moving from the mountaneous landscape from the year prior to up in the clouds for 2022. Alongside the identity development, we created animations, an interactive website, the awards, the design and production of the stage that would host the event as well as invited an artist to create artwork on site. 

Problem

Arque Systems, a quantum computing startup coming directly out of the research field needed a quickly designed landing page to share their contact details with potential investors 

Solution

C/O created a landing page in a short amount of time, with a key visual that stood out and was later used as the starting point for the developed mini-identity. 

Problem

Arque Systems, a quantum computing startup coming directly out of the research field, had a clear business idea and offering for their potential customers, but did not yet have a visual identity to match their innovative startup, nor did they have a name to call themselves.

Solution

Starting from scratch C/O created different naming solutions for the quantum startup and from there moved onto designing a website for them based on their specifications and areas of expertise. The outcome of this mini-identity project was a new name, visual design and website, resulting in a professional package the startup could present to their prospective clients and sponsors.

Problem

The JARA IQI research group were searching for ways to show appreciation for their employees, that was not the usual gift basket or merchandise package.

Solution

A small team of strategists worked together to research different approaches to gift-giving in the workplace. Consequently, we formulated a concept centered on personalised gifts, eliminating the need for staff members to inquire about colleagues' hobbies. This ensures more meaningful gifts, simplyfying the informal gift-giving practices. 

Problem

The JARA IQI group of RWTH Aachen and the Jülich Forschungszentrum were launching a new website, however they were lacking visual content that showcased their current workplace and lab. 

Solution

We connected the IQI group with the Berlin based photographer Patrick Desbrosses. For a day in the summer of 2022 we captured the group at work, showing the real people behind the name.

Problem

Luxembourg-based Faymonville, manufacturer of vehicles for heavy load transport, was in search of an interior design direction for their offices.

Solution

We connected Faymonville with Berlin-based creative studio Balzer Balzer, recognizing that their unique series of wire drums and their bubble light collection would make a great collection of functional sculptures in the space - offering a glimpse into Faymonville's industrial origins within the Luxembourg office, intertwining heritage and function.

The red & black Wire Drum series was commissioned for Faymonville to bring their company’s distinctive visual identity into their newly designed office space. Drawing inspiration from the historical
significance of tree logs used to support heavy-weighted loads and wireframes used for filling
concrete foundations, the commissioned Wire Drum establishes a connection to Faymonville’s work in transporting heavy cargo and the building industry of their customers.

By introducing wire drums and the bubble lights, the office building underwent a visual transformation, becoming a testament to the company's identity and reminiscent of their journey from their first steps in their Rocherath garage to a thriving global powerhouse. 

Problem

Stage Two, a pan-european start-up competition sought after a design agency capable of collaboratively crafting a brand that truly reflected the purpose and mission behind the start-up event. 

Solution

Through a collective endeavour, the Stage Two identity was conceived and tailored to navigate the landscape of start-up events. This approach facilitated its evolution from its initial concept, enabling it to stay current and flexible, adapting to the ever changing environment, which resulted in a unique claim and visual identity. Alongside the identity development, we created animations, a new website as well as the design and production of the stage that would host the event. 

Problem

The JARA IQI group of RWTH Aachen and the Jülich Forschungszentrum needed to communicate their new identity effectively but lacked a website that could showcase their brand.

Solution

C/O collaborated with skilled designers and web-developers to create an innovative and fresh website for the IQI group. This website was based on insights from the field of quantum computing and HR, enabling them to reach a wider audience and attract potential candidates through a professional online profile.

Problem

After conducting research on the quantum computing research group of RWTH Aachen and the Jülich Forschungszentrum - JARA IQI, C/O identified the need for a brand that accurately represented the group and could serve as a foundation for their communication strategies.

Solution

The designers used the research findings to develop a visual identity and voice that aligned with the research group's values. This allowed the group to position themselves as a professional organisation, attracting talented professionals who could envision themselves as part of the team. These identity development also included a styleguide as well as powerpoint templates. So not only could the team showcase their new identity online, but also to their peers at conferences and workshops. 

Problem

The quantum computing research group of RWTH Aachen and the Jülich Forschungszentrum - JARA IQI, was searching for initiatives on how to elevate their branding and present themselves as a leading centre for quantum research and invite more researchers to join their group.

Solution

In collaboration with two qualitative researchers and a senior copywriter we conducted research on their competitors and the internal structure, research and communication and identified potential pain points and areas of improvement for the research group. This resulted in a comprehensive download of their internal dynamics leading to a brand narrative and story that both reflected and elevated the research group. This was the starting point for an array of branding, communication and HR projects with the IQI group. 
 

Problem

Asset management service Creutz & Partners wondered how to keep relationships personal during the isolation of the Covid-19 pandemic.

Solution

We worked together with Berlin-based perfume designer David Roelen, to develop a series of scented candles inspired by the indoor jungle at Creutz & Partners’ HQ. The scents evolved to reflect some of the world’s most endangered jungles, with proceeds going to jungle protection. The candles are an intimate gift. We created a dedicated website to help Creutz & Partners establish its position as an enabler of art and creativity. It hosts other cultural projects we developed together, too.

Problem

With our client PUK, we faced the challenge of bringing NEFF's Skate Kitchen concept to life and needed to find the best team for the job.

Solution

We embarked on a year-long journey with PUK, taking charge of curating and initiating the Skate Kitchen project from the ground up. Additionally, we orchestrated the assembly of a skilled and diverse team, resulting in a successful realisation of the skate kitchen concept.

Problem

Before The Circle, a space for personal practice and collaboration, was born, we identified two problems: 

1. A long queue of students waiting outside a library

2. A studio space which was only used occasionally for workshops and photoshoots.

Solution

Our solution came in the form of the simple notion of sharing space. We offered our studio in Aachen to a group of students from different disciplines, such as photography and product design. Under the name ‘The Circle’ the studio became a safe space, giving access to community, tools, and new ideas. Together, the students developed exhibitions and a short film festival, while fostering a creative community in the city.

Photos were taken by René Otten 

Problem

Together with Abbott, a producer of medical glucose patches that save lives, we identified the need for a better work environment in their European offices.

Solution

We redesigned the offices housing 2500 employees, to better match the company’s product and overall philosophy. By using specific materials for office furniture and introducing activating moments we created a healthier and more dynamic environment. In addition, we developed a creative training programme, with engaging educational materials for new employees to become direct-to-patient consultants.

Problem

A global event in 7 cities, all on the same day. Six months after the successful Jyuni White release in January 2017, C/O was hired to come up with a wide range of marketing and packaging solutions for the gloabl launch of the Asics 2nd limited capsul collection Asics Jyuni Black.

Solution

We came up a wide range of marketing and packaging solutions for the events, including the gift boxes for product samples, press cards and wrappings, a collection lookbook, invitation send outs, poster, a magazine-like journal and shopping bags. However, there are always additioanl challenges and this time there were 6 interactive custom-made POS modules that, after conception and manufacturing, had to be shipped to 7 cities around the globe. So, we researched and uncover the best solutions for shipping the modules on time without breaking the budget. Together with Another Slang we made things work. Photos were taken by Thomas Wiuf Schwartz

Problem

In 2017 Asics introduced their Tokyo inspired functional sportswear line Jyuni. Jyuni means twelve and it represents the movement of time and the constraints time brings. The idea behind the Jyuni concept is to empower individuals to break free from constraints. For the global Jyuni White launch we were asked to realize appealing and engaging blogger and influencer packages, which was a great inquiry, of course. BUT there’s always a hook. 
Ours was the timing... From first briefing call to final door to door delivery (around the globe!) we had 9 days left.

Solution

So we took the meaning of Jyuni literal and broke free from time’s constraints. First we came up with a beautiful concept, which turned out to involve parts from more than 9 individual suppliers. :/ But luckily we have a great network and managed to get everything manufactured and distributed to more than 80 individual influencers, as well as to digital media houses like Highsnobiety and Hypebeast, on time.

We loved the result and so did our client.

Problem

AICES is the Institute for Advanced Study in Computational Engineering Science at Aachen Technical University RWTH. The institute reached out to C/O for guidance on their marketing campaign with the goal of attracting international talent to work and study at the insitute.

Solution

Together with their marketing team we created a campaign that would attract international talent in an unusual way. We devised the "Always loved computing?" campaign, which engages international graduates by tapping into their lifelong affinity for computing.The visual appearance of the content seems naive but it's based on advanced formulas and scientific principles that need a higher understanding of things to be decoded.

Problem

The challenge revolved around creating an exclusive promotional package for selected customers and enhance the collaboration between Jeep and the GQ Man of the Year Elyas M'Barek.

Solution

We orchestrated the development and production of a limited edition Jeep x Elyas calendar, wherein selected customers received a premium photo calendar enclosed within a custom-designed leather sleeve boasting a magnetic lock and the embossed Jeep logo.
The limited edition merchandise consisted of 135 screen-printed cotton bags, complimentary cards, calendars and hand made leather laptop-sleeves. Another Slang was responsible for the Art Direction and Amos Fricke was the photographer on this project.